Past Exhibits

  • Line drawing of three people with video playback controls and progress bar below
    May 14, 2024 to September 15, 2024

    Queer Legacies at W&M highlights LGBTQ+ voices in William & Mary’s archive through oral histories, documenting how the queer community at W&M has experienced both collective joy and resilience in the face of discrimination.

  • Una Colección de Ghost Posters

    April 1, 2023 to August 31, 2024

    This new collection of Ghost Posters––designed for a series of film projects that have largely remained unmade––seeks to counter the under-representation of Cuba's women directors.

  • Drawing of Negro Leagues baseball players on the field with a stadium in the background
    February 5, 2024 to June 7, 2024

    The Negro Leagues Baseball exhibit grew from a labor/hobby of 40 years and the love of researching and collecting baseball memorabilia by William & Mary alumnus Derrick C. Jones.

  • White t-shirt on green background with a green and yellow birthday cake on front, with text "Happy Birthday, William & Mary! below

    Reflecting on the university's 331 years

    February 5, 2024 to April 21, 2024

    This project re-considers a 1993 t-shirt, preserved in the University Archives, which celebrates the 300th anniversary of William & Mary’s royal charter by providing an illustrated timeline of the university’s history. We invited a broad, interdisciplinary community of William & Mary individuals, small groups, and organizations to create their own t-shirts which share their telling of institutional history.

  • Cabinet card portrait of Algernon Charles Swinburne standing in front of steps and ivy covered brickwork

    The Sheila and Terry Meyers Collection of Swinburneiana

    April 10, 2023 to January 22, 2024

    English poet Algernon Charles Swinburne (1837–1909) is a figure of fascinating contrast. Diminutive in stature yet larger-than-life in personality, in uncertain health but also highly energetic, in the first half of his career he flouted Victorian social standards with the provocative subject matter of his poetry and his scandalous personal life. Yet in his later years he eschewed much of his former passionate excess and became socially respectable. 

  • Vector style drawing of apples with bright pink lines on a dark background

    Scholarship on Display

    May 11, 2023 to January 7, 2024

    Scholarship on Display: Physics highlights the dynamic and multi-faceted research and scholarship of the William & Mary Physics faculty.

  • Papercut feet of Santa sticking out of a fireplace with papercut cats and dogs looking on

    An Exhibition of Christmas Critters

    November 20, 2023 to January 5, 2024

    This year’s exhibit of the Nancy H. Marshall Collection celebrates of the 200th anniversary of the poem’s first publication in the Troy Sentinel on December 23, 1823. While the original text of the poem only mentions a mouse and a team of reindeer, the many artistic adaptations include an expanded representation of Santa’s animal friends, illuminating the wonderful creatures who make our houses feel like home.

  • Pastel condiment set by ceramics artist Hiroe Hanazono

    Class of 1939 Artist in Residence Exhibition

    November 30, 2023 to December 14, 2023

    An exhibit featuring the works of ceramics artist Hiroe Hanazono, who has been an artist-in-residence in the Art and & Art History department for Fall 2023.

  • Icon with yearbook portraits of the first thre Asian ancestry women at W&M

    The First Three Asian Ancestry Women at W&M

    January 25, 2023 to May 7, 2023

    Charting Diverse Pathways explores the lives of the first three Asian ancestry women to attend William & Mary: Hatsuye Yamasaki Kajiwara ‘37, Margaret Lee Masters ‘45, and Beatrice Fujiwara Sakai ‘53.

  • The Brafferton School story quilt created in 2022 by Nottoway artist Denise Walters
    February 10, 2023 to April 21, 2023

    Recent scholarship offers new insights and interpretations about the Brafferton Indian School’s history and legacy. Interrogating the extant documents from the era demonstrates the role of both the College and its Indian school in a wider narrative about the trans-Atlantic colonial encounter. Remembering includes responses from several Native artists from tribes that sent students to the Brafferton Indian School in the eighteenth century.